Lori Gordon

Bletherings From a Music Obsessed Mind

Annlaug – “November”

I’ve been waiting a long time for Annlaug’s debut album, November, to come to fruition. Demos of sparse fiddle tunes and songs had captured my attention and I was curious to see where it would all lead. November is everything I had hoped it would be and more. It’s sophisticated, engaging and musically diverse.

Featuring a Who’s Who of Scottish folk musicians (Mattie Foulds, Inge Thomson, Martin Green, Aidan O’Rourke and Anna Massie, to name a few), plus string arrangements by Kim Edgar, November delivers a powerhouse of sound and artistry.

Annlaug’s musical versatility is evident in the array of styles presented here. Rock, Americana, folk and traditional flavors are married beautifully on this album. Having primarily heard her fiddle tunes up to this point, I was surprised, and pleasantly so, to discover that the majority of November is sung. Regardless of style, Annlaug’s self-penned lyrics paint an intimate portrait of the songwriter. It doesn’t really matter that the lyrics are in Norwegian (English translations are given in the liner notes) because her voice ably tells each story.

The entire album is brilliant and it was difficult to choose favorites. That said, my favorites are “Hakestad,” which showcases Annlaug’s exquisite Hardanger fiddle playing; “Songen Eg Skulle Ha Skreve,” with its gorgeous strings; and the two traditional lullabies: “Suril Luril” and “Till Till Tove,” which closes the album with a sparse, haunting arrangement.

With November, Annlaug has established herself as a force to be reckoned with on the contemporary folk scene.

To visit Annlaug’s MySpace page, click here.



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February 25, 2010 - Posted by | Album Reviews, Folk, Singer-Songwriter, Traditional | , , , , ,

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